7 ideas for creative lens ball photography

Recently COOPH picked up a lens ball, an superior crystal sphere that lets you take refraction images that reveal the background within the ball. As effectively as having enjoyable,...

Firmware Version 2.0 now available for the Nikon Z6 and Z7– adds eye-detection AF

Nikon has finally released Firmware Version 2.0 for the Z6 and Z7 full frame mirrorless cameras. The two biggest additions to the camera are eye-detection AF and the better low light autofocus performance.

Canon RF 17-35mm F4-5.6 Lens Patent

Canon Patent a new mirrorless lens, RF 17-35mm F4-5.6 Lens. Due to the nature of aperture range we expect the lens will remain affordable, And sooner or later we will be having one more lens with constant aperture.

CineMilled launches vehicle line of products with Hitch Mount

CineMilled is launching a new line of products for rigging vehicles, starting with the Billet Trailer Hitch Mount. For other regions, the hitch is also commonly known as a tow-bar.

Tiffen announces the Steadicam M-2

Tiffen has announced the Steadicam M-2 modular camera stabilizer, a follow up the companies M-1. The Steadicam M-2 is designed for both broadcast and cinema applications. It features a sleek, new top stage that integrates the Steadicam Volt horizontal stabilization technology for reduced weight, height, all to create a simplified rig design.

Tiffen DJI Osmo Action ND Filters

Tiffen has announced new DJI Osmo Action ND Filter Kits. One of the nice things about the DJI Osmo Action is that you can attach ND filters to the front of the lens. Unfortunately, DJI’s ND filter kits are not available yet, so if you want to use ND filters you will need a third party solution.

Canon 200D II / SL3 vs Canon EOS M50

Canon SL3 vs Canon EOS M50 – We have done a quick specification comparison between the two camera.

Teradek Bolt for Sony VENICE now shipping

The purpose made Bolt for Sony VENICE is Teradek’s latest wireless video module designed to integrate with directly with the camera. It’s available in 500, 1000, and 3000 ft. ranges and is now shipping.

Making DOUBLE EXPOSURES with a TILT SHIFT Lens

There is a lot you are able to do with layering photographs and distorting a scene with a tilt-shift lens. Eric Floberg hopes that is useful for you guys...

Mastering Eye Lights | Cinematography 101

In this video, Jon Salmon exhibits us three completely different strategies for creating eye lights. In their first setup, he makes use of a number of lights positioned across the...