Raafi Rivero has in all probability shot extra footage and had extra hands-on time with the Kinefinity MAVO LF than simply about anybody.
Raafi has produced a somewhat distinctive assessment in regards to the MAVO LF that’s actually very unconventional. If you’re after a conventional assessment of the MAVO LF then that is actually not it!
I’ve been in touch with Raafi and I needed to ask him about his experiences with the MAVO LF.
What received you initially within the Kinefinity MAVO LF?
I’ve been excited about Kinefinity for a while and took the plunge with the Terra4k in late 2017. (I even watched this dialog with you and Rob Bannister years in the past – https://vimeo.com/118329088 ). I’ve been working professionally for 15 years however the one digicam I owned previous to the Terra was the Canon 5D Mk II. I perceive lenses and composition greatest in full-frame, so with the ability to use that format once more with nice specs was engaging.
What do you assume makes the MAVO LF completely different or distinctive from different cameras available on the market at this worth?
Kinefinity’s cameras have only a few proprietary equipment. The system is versatile. You can shoot on inexpensive media like SSDs, and adapt to many lens mounts – PL, EF, Nikon, and even guide E-Mount. ProRes is a giant plus. Killer low mild. Loads of cameras can beat the LF in a single space, however few can beet it in all of them, particularly at its worth.
For you, what’s the attraction of utilizing full body or bigger sensors?
I spent years taking pictures on the Canon 5D Mk II, so full-frame has all the time felt like residence. It’s harder to get the picture in focus wide-open however there’s a magic to the format as nicely. Selective focus is without doubt one of the issues that separates the “cinema” look from the “video” look.
The different less-obvious factor about full-frame is the efficiency in low-light. Because the picture consists of extra photosites there may be much less notion of noise.
Your assessment is kind of completely different from anything that I’ve seen. Why did you select to do it on this method?
Whenever you discuss with different movie folks about gear there’s all the time somebody who says, “But, ultimately, it’s actually in regards to the story.” And everybody type of rolls their eyes. But I needed to inform a narrative in some way and thought recording little talks in regards to the digicam over months would give it a free, jazzy really feel, and save me from having to say every little thing completely in a single go. I really recorded tons of commentary about stuff like format, spotlight roll-off, and dynamic vary, however within the edit, it simply felt boring.
Even earlier than the digicam received stolen I’d principally lower something remotely specs-related out of the assessment. I discussed dimension and weight in reviewing the Terra4K and the shape issue hadn’t modified, so it wasn’t price speaking about that once more. The final a part of the video with my last ideas was recorded the day earlier than the theft.
Even although there’s a narrative of loss that drives the assessment, I really feel very fortunate to have the ability to do that job and needed to share the sensation I get from it: pleasure.
How lengthy have you ever been utilizing the MAVO LF?
About eight months.
What have you ever shot with the MAVO LF?
The digicam arrived in late November 2018 and we shot three large tasks on it – a sci-fi brief movie, three doc-style commercials, and an hour-long documentary that aired in June.
We shot the documentary for 3 weeks on the street in Oklahoma, Detroit, Atlanta, with a last week in NYC, so it was a terrific check of reliability. The Mavo LF was the primary digicam and the Terra4k was the b-cam. There was a giant company sponsor behind the challenge and my consumer requested, “Are your cameras up for this?” I mentioned sure. We ripped via plenty of low cost gear on that journey and a bunch of stuff didn’t make it again. But the cameras stood as much as the check.
Above you may see a number of the tasks that Raafi has shot with the digicam.
What are its largest strengths and weaknesses?
The largest weak point is certainly audio. Not having guide pots to regulate the degrees and having to undergo a menu each time you need to alter a setting is slightly clunky for run-and-gun conditions. The different factor is that the audio channels are linked so you may’t alter the degrees independently. A few sound folks we employed mentioned that the timecode on the digicam wasn’t appropriate with their system. Most of the time we did two-system audio with a wi-fi feed into the XLR for backup.
The new OS and menus are a giant enchancment however there could possibly be one other leap in that space.
The largest power to me is the colour science – the digicam shouldn’t be biased towards a colour the best way I understand different manufacturers to be. I discover the colour to be pleasing straight away, and with the provided LUT and might get by with a minimal grade when beneath a time crunch.
The small kind issue is one other large plus. The digicam could be stripped all the way down to make it sufficiently small for a gimbal or for DSLR-style handheld work, or it might probably construct all the best way as much as a cine system with matte bins, and so on.
I additionally love with the ability to shoot to SSDs somewhat than proprietary media. I can use the SSDs for different functions once I’m not on shoots.
Who is the digicam appropriate for?
It’s extra of a cinema digicam than a documentary digicam. Most doc cameras have ND, auto-focus, and higher audio setups. That mentioned, we shot a giant documentary in 4 cities and it held up nicely. Cinema or commercials are in all probability its excellent makes use of, although.
You had the digicam stolen, Tell us about what occurred.
I broke a cardinal rule and paid the last word worth. I can’t inform you what number of occasions I’ve sat in a Starbucks or a restaurant with a big-old digicam on the desk since you’re by no means supposed to depart a digicam within the automotive. Ever.
Some mates and I had been visiting a favourite professor from movie faculty and we parked within the lot subsequent to his workplace. The automotive had tinted home windows and the digicam was in a black backpack on the ground. I figured it could be secure.
When we got here outdoors a few hours later somebody joked, “I hope the digicam’s nonetheless there.” It wasn’t. I don’t personal a automotive or a home so to lose the most costly factor I personal due to a dumb mistake felt devastating. Telling the story via the assessment has been part of the therapeutic course of.
Are cameras attending to the purpose the place they’re all able to producing nice imagery?
A couple of years in the past I wrote down an inventory of desires for a digicam: 4k decision, 13 stops dynamic vary, 10-bit colour, S35 sensor or bigger, and inside ProRes. These days you may’t flip round with out bumping right into a digicam that meets these specs. It actually is all in regards to the story nowadays.
What is your last general impression of the MAVO LF?
The pictures converse for themselves. For me, the Mavo LF carried out extremely nicely over a collection of very completely different situations. And accessing full-frame is sort of a turbo booster. I feel the digicam produces a superb picture and gives nice worth. I need one other one.