The C200 is a little bit of an enigma. It’s both an all-out 4k uncooked beast or a barely underwhelming 8-bit inside recording digicam. So how does it match right into a TV manufacturing dominated by Sony? I made a decision to search out out on the second collection of Instant Hotel, an Australian present that goals to search out Australia’s finest Air BnB. It’s a present with just a little little bit of drama, fairly photos, and a few extremely difficult taking pictures situations. I needed to share my experiences (good and unhealthy) with the Canon C200.
Prompt Resort makes use of the Sony F5 as the principle digicam – a complete of seven F5s are used, taking pictures XAVC 10-bit 100 Mbps Slog-2. The second unit cameras are the Sony FS7, and the manufacturing additionally makes use of an Encourage 2 drone, Phantom 4-Professional drone, a Canon 5D for time-lapse, GoPros after which the Canon C200 because the gimbal digicam. With such a mixture of gear would anybody actually discover a Canon (8-bit) cinema digicam slipped within the aspect door? The large payoff would come later when the promo division requested our assist … (4k uncooked you lifesaver).
We had over 200 street instances of substances and 40 plus folks touring to every location.
There’s numerous debate over the shortage of an HD 10-bit codec. I agree it could be nice, however the digicam nonetheless produces an excellent HD 8-bit 4:2:Zero picture with good Canon colours. That’s the important thing to this digicam, don’t purchase it if you’d like or want a 10-bit HD codec (until you need to document externally, extra on why I don’t later). I’ve labored with different 8-bit codecs and had large points with banding and photos not holding up in publish. I’ve even had a producer advocate to not shoot Log in 8-bit. That’s not the case with Canon’s 8-bit when taking pictures Log. Put up had no points in any respect with the HD footage from the C200. In actual fact, the decrease bit fee had some benefits for knowledge charges. I didn’t have to cease recording, and you may match a lot footage on an reasonably priced SD card. We had been syncing all the things in publish so I simply let it roll. This much less time with the clapper board between takes means much less syncing clips in publish.
The primary location we filmed at was Coober Pedy, an outdated opal mining city, and one of many hardest locations in Australia to movie. It’s principally a desert – suppose flies, sand, and warmth. Individuals dwell underground to flee the climate. It’s an ideal location to check a C200.
My set-up was the C200-Clog 3, MXF HD, Canon CN-E primes, 11-16mm Tokina Cine, PD Film focus wheel, Atomos Shogun monitor, majestic mode on the Movi, contact display screen eliminated and a Tentacle Sync for timecode. The C200 carried out completely and we couldn’t have been happier with the photographs. We spent the subsequent 5 weeks filming at totally different areas across the nation and the C200 didn’t skip a beat.
I did take into consideration taking my C100 Mark I and Movi M5. I’ve used the C100 for a few years on the Movi M10 and M5 with nice success. With no point out of 50p or 4K on this shoot, I assumed higher of it simply in case. That call paid off on day one once we had been requested to shoot the promos for the collection. If you find yourself instantly requested, “Can we swap to 4k now?” you want to have the ability to do it. In 2018, the belief is all cameras ought to be 4k succesful. I used to be so glad I packed my CFast 2.Zero playing cards. The geographical isolation of the situation meant it could have been tough, and costly, to herald a promo crew. So myself and Andre Eavis, the DOP on the collection, had been requested to shoot them. We additionally filmed all of the opening PTC’s on the C200/Movi in addition to all of the overlay all through the BnB’s. I used to be additionally requested to shoot some 50p HD – once more the C200 had all of the solutions.
Utilizing the main target information on the Canon C200
Once I use the Movi, I strip the C200 proper again. I take advantage of the Shogun monitor as my solely display screen. I principally depend on it for all the things (publicity, coloration temperature, focus). I take advantage of all of the Canon built-in LUTs on the Shogun. I couldn’t work with out the 1,500 nits display screen exterior. This mixed with the C200 is a really strong mixture for gimbal work. I ship all the knowledge out to the monitor and that’s why I can’t document 10-bit to the shogun. To be trustworthy, I can’t actually inform if there’s a lot distinction between inside 8-bit and exterior 10-bit. The main target information has grow to be my favourite function on this digicam. If it’s inexperienced then I’m in focus. It has by no means let me down and I don’t understand how I received by with out it for therefore a few years.
Earlier than & after the colour grade utilizing the Canon C200
When the shoot wrapped, I contacted Paul Stewart at Canon Australia so I may ask him some “easy” stuff in regards to the C200. That was my first mistake. The second was anticipating a easy reply to why this digicam’s 8-bit codec works so nicely. Sadly, there actually isn’t a easy reply. Paul ran me via Canon’s 20-plus yr historical past of digital sensor improvement and coloration science, then he talked in regards to the processing energy of this digicam. The C200 makes use of the identical sensor because the Canon C700, and it does an oversampling HD course of to provide a wonderful HD picture from a 4K sensor readout. That was key for me. It’s not one factor that makes this digicam work – it’s a mix of a bunch of issues.
When taking pictures Uncooked watch out to not underexpose, it will get very noisy if it’s important to elevate the publicity in publish. I discovered that the exhausting approach after I first received this digicam, having not set my LUT appropriately on the Shogun (consumer error). Once more for me, the HD does what I want it to, the vast majority of gimbal work on TV (at the very least in Australia) is finished with DSLR’s taking pictures 8-bit 4.2.0. In my view, there isn’t a comparability to utilizing a cinema digicam. I needed one of the best digicam for my gimbal and for me that is the C200. It does lack a usable 100fps, timecode in, and 10-bit inside recording, nevertheless it makes up for this by having options like prolonged ND, nice onboard audio, wi-fi monitoring, and among the finest autofocus methods in the marketplace.
I needed to share my experiences with this digicam as I really feel it generally will get a nasty rap. It’s an ideal gimbal digicam. I do have the slight luxurious of getting just a few cameras, so if I want 10-bit, I can use my Sony F5 or Canon C500. So in case you are solely shopping for one digicam, then I perceive why folks would really like some higher-end choices in HD.
Matt wrote an ideal article about how a lot workflow is definitely 4k vs HD. I shoot perhaps 80-90 p.c HD and a lot of the 4K is for resizing for HD, not for 4K supply. CFast 2.Zero playing cards are dropping in worth and the workflow has improved loads now that Canon Uncooked Gentle recordsdata work with DaVinci Resolve and Premiere Professional. I do use the C200 for company jobs and the scale of the digicam makes it straightforward to get into buildings that don’t like trolley a great deal of gear coming via the lobby, or the place you solely want a small digicam or minimal package.
It was a pleasure engaged on Prompt resort the Seven Community, we had an ideal crew and look ahead to seeing all our exhausting work on air quickly.