It’s not the tools, it’s what you do with it. The majority of function movies are shot on costly cameras however sometimes there are exceptions.  “The Possession Of Hannah Grace” which hit theaters simply after Thanksgiving, was shot with the Sony α7S II.

“The Possession of Hannah Grace” – a feature film shot entirely on the Sony a7SII

 

 

Even although the movie was shot with a available, shopper full body mirrorless digital camera that prices lower than $3,000 USD, the manufacturing nonetheless used very costly Hawk 65 1.3x anamorphic lenses from Vantage. This included primes in addition to the 80-180mm T2.eight zoom. The manufacturing was delivered in a 2.35 : 1 facet ratio. The Sony a7SII can’t shoot in any kind of anamorphic modes. All they had been doing is capturing 4K 16:9 and through the use of 1.3x anamorphic lenses they might document a picture with a wider facet ratio than the sensor’s native facet ratio with out cropping the picture. As you aren’t cropping into your picture, this helps to maximise the decision you may get hold of.

The digital camera is barely a small a part of any manufacturing, and any digital camera, even an α7S II, can produce good ends in managed situations in the appropriate fingers. To me, it appears like they simply ended up making extra work for themselves by having to construct out monumental rigs to make the a7SII usable and purposeful on a film set.

“The Possession of Hannah Grace” – a feature film shot entirely on the Sony a7SII

The whole mission was shot in Boston between the seventh November 2016 -to the 17th December 2016 with Sony cameras. “I knew that the Sony α7S II had a full-frame sensor and will seize in 4K,” says Glenn Gainor, govt producer for the movie. “And I knew that we needed to make the movie in a way that might match our schedule and price range. I had a relationship with Vantage, so we put it collectively and made a movement image in a method that’s by no means been accomplished earlier than.”

“The Possession of Hannah Grace” – a feature film shot entirely on the Sony a7SII

 

According to director of pictures Lennert Hillege, the camera-lens mixture breaks new floor for anamorphic productions, permitting the manufacturing to entry the wonder and distinctive aesthetics of anamorphic imagery on a good price range. This mixture simply occurred to be good for the script and the price range.

“The Possession of Hannah Grace” – a feature film shot entirely on the Sony a7SII

“The Possession Of Hannah Grace” nonetheless had a price range of $9,500,000 USD (estimated), so they might have simply chosen to make use of a Sony VENICE, because it appears like Sony themselves was fairly closely concerned with the manufacturing. The digital camera is barely a really small a part of any price range on a serious manufacturing.

“The Possession of Hannah Grace” – a feature film shot entirely on the Sony a7SII

The director and I actually wished to create an eerie and imposing morgue,” says Hillege. “We instantly favored the Brutalist structure we present in Boston, and the morgue set was constructed to match that. Glenn was very keen on capturing with a really light-weight and light-sensitive digital camera, and bringing a special perspective on make the film. These two issues led us to conclude that the one technique to shoot was with a full body, with a touch of anamorphic, and a form of classic type. The Sony α7S II with the Hawk 65 lenses had been the right instruments for the job.”

“The Possession of Hannah Grace” – a feature film shot entirely on the Sony a7SII

According to the manufacturing, the α7S II was put to the final word take a look at, having to carry up and face up to the day-to-day actions on a studio film set. The outcomes are really astounding and proof that there actually are not any limitations when it comes to these cameras. “We had 4 or 5 cameras on the prepared at any time, so we had been in a position to choose up and go,” says Gainor. “We by no means needed to look ahead to lens modifications. I believe the full-frame sensor is the place the trade goes. Given the traits in digital cameras and the significance of lenses, you might argue that that is the way forward for cinema.

“The Possession of Hannah Grace” – a feature film shot entirely on the Sony a7SII

It’s barely ironic that the manufacturing mentioned they had been keen on capturing with a really light-weight digital camera, but they constructed it out to a measurement that makes it no smaller than what an ARRI ALEXA MINI or RED bundle would find yourself being. There is little doubt that the digital camera is able to producing good ends in the appropriate fingers, however this complete factor feels a little bit prefer it’s a publicity stunt to draw consideration to a film that hasn’t precisely obtained nice evaluations from movie critics.

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